Jon Favreau’s Chef did the impossible. It pulled me out of hibernation. Much like the movie’s premise to do your own thing, and to do what you do best, Chef worked for me at the meta level and gently nudged me to re-start writing about movies. So, DUN…DUN…DUN…presenting the resurrection of Prakash J with four … Continue reading
A Touch of Sin, Sound, Love, Sex and Lucia
Life is a great teacher, a master. And so are film festivals. 100 years of Indian cinema and 62 years after India organized its very first international film festival, yours truly finally got an opportunity to attend his very first film festival in its entirety (yep, he’s attended some before but never in their entirety … Continue reading
Gravity (2013)
Technology, Performance, Metaphor and the Monomyth in Gravity Who teaches a baby how to walk? Nature, God, parents? But metaphorically speaking, who teaches a broken, down-in-the-dumps adult how to ‘walk’? Can one even teach such a thing? Director Alfonso Cuarón just did that with his space truckin’, metaphor infested, gravity-defying thriller Gravity. He even goes … Continue reading
The Master (2012)
Master! What is The Master? The craft of Paul Thomas Anderson’s (PTA) The Master will trigger your deep, hidden emotions to surface as incomplete catharsis. Just when you think you’ve got your closure, the experience ditches you midway, inertia sets in, and the process starts all over again. It’s akin to quenching your thirst only … Continue reading
Cinema InFlux (2012-13) – Part II
Let’s continue where we left. Finally, Lincoln and Zero Dark Thirty made it to Indian shores—just in time before the Oscars. Was it worth the wait? Read on. Also featuring Tarantino’s Django Unchained. Don’t ya miss it. But please, don’t do the mistake I did: watching it back-to-back after Lincoln. Why? I’ll let you figure … Continue reading